Resume

Keep talking with those eyes. I’ll keep showing work.

Hein Win Kyaw (Peter Jackson)Hein Win Kyaw (Peter Jackson)

Producer · VFX Supervisor · Technical 3D Artist

New Brunswick, NJ · Open to relocate

  • [email protected]
  • +1 (562) 338-8778
  • LinkedIn
  • ArtStation

Skills

Pre-production

  • Concepting, script breakdown, storyboards, shot lists
  • Talent notes, logistics, resource planning
  • Stakeholder alignment before camera or render

Production & post

  • Premiere Pro, After Effects, DaVinci Resolve, Photoshop, Nuke
  • Photo and video, sound, captions, multi-version delivery
  • QC, recut, locked house-look packaging

Technical 3D & live shoot

  • Unreal Engine, Blender, Maya
  • LED volume / scene prep
  • Named, versioned, shoot-ready environments

AI knowledge

  • ComfyUI, Runway, Kling, Seedance
  • Reusable generate-day templates
  • English, Burmese

Experience

  1. Media Specialist

    March 2026 – Present

    Space XAI

    Remote / United States

    • Assemble assets and shots so video input is clean, consistent, and ready for production.
    • Check framing, look, and file quality before the picture moves downstream.
    • Organize stills, plates, and shot packages so producers and editors can cut without hunting versions.
  2. Producer & VFX Supervisor

    July 2025 – August 2026

    DramaBox

    New York

    • Owned pre-production on high-volume short dramas: concept with writers, script breakdown, storyboards, shot lists, and lock of look, character, and locations before production started.
    • Aligned producers, artists, and stakeholders on scope, schedule, and visual standards. Ran reviews so notes hit the next shoot or generate day, not the final cut.
    • Supervised picture through production, composite, edit support, QC, and delivery on Reborn as The Mafia Bad Girl, Keeping Secrets with the Rowing Captain, I’ll Be Better Without You, and When He Finally Looked Back.
    • Planned coverage for missing shots, directed on-screen action from the board, and recut when story or product notes changed mid-episode.
    • Edited and packaged photo and video to a locked house look. Built reusable templates — including ComfyUI and AI generate-day plans — so the next episode started from a known plan.
  3. Technical 3D Artist / Virtual Production

    February 2025 – July 2025

    Journey Entertainment

    New Jersey

    • Pre-produced live-shoot days: translated storyboards and creative direction into Unreal scene layouts, scale, and lighting the camera could use on set.
    • Assembled environments and assets before call time. Kept scenes named, versioned, and shoot-ready so reviews and talent playback were not blocked.
    • Supported LED-volume and real-time workflows. Flagged coverage and technical issues in prep instead of on set.
  4. Unreal Engine Intern

    October 2024 – December 2024

    Phosphene FX

    New York, NY

    • Worked inside a professional VFX pipeline: specs, versions, and editorial-ready delivery for live-action and digital picture.

Education

Bachelor of Science, Video Arts and Technology

City University of New York

August 2022 – December 2024

GPA 3.9

Awards

  • Dean’s List, Spring 2024
  • Media Arts Honor Award
  • BMCC Film Festival, 1st Place, Best Fictional, 2024