Gen AI Specialist / VFX Supervisor

Hein Win Kyaw (Peter Jackson)

Space X
DramaBox

Generative AI and visual effects, coordinated from brief through delivery.

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Recent works

Practice

Three ways into the work.

VFX supervision, generative AI production, and virtual production — coordinated from brief to delivery.

VFX Supervision
3D Generalist and Visual Effects
VFX supervision, look development, compositing, and final-pixel QC — from previz through delivery.
Open
AI Production Pipeline
Generative AI
Generative AI workflows, tool evaluation, and production pipelines — from brief through review.
Open
LED Volume
Virtual Production
LED-volume support, Unreal scene prep, and live-shoot coordination so on-set VFX stays on schedule.
Open

VFX Supervision

3D Generalist and Visual Effects

Maya, Blender, Unreal Engine, Nuke, After Effects

I supervise visual effects with a focus on look development, character consistency, compositing, and final-pixel quality control. The work covers script breakdown, bid support, VFX reviews, and status reporting so artists and production stay aligned.

At DramaBox I supervised VFX for high-volume AI drama and owned the path from previz through generative video, composite, QC, and delivery. I break down episode materials for scope, run reviews, and keep show-level checklists current.

AI Production Pipeline

Generative AI

I coordinate Gen AI video and image across concurrent workstreams: versions, notes, schedules, and stakeholder approvals. I evaluate vendors and tools, then operate the ones that hold look and character consistency under production pressure.

The current stack includes Kling, Seedance, Magnific, Runway, ComfyUI, Gemini, Sora, Midjourney, GPT Image, and Luma. I treat generated frames as production layers — tracked, reviewed, and handed off — not one-off experiments.

LED Volume

Virtual Production

I support virtual production live shoots: LED wall calibration, Unreal Engine scene prep, and real-time performance. The goal is stage-ready content — correct scale, stable frame rate, and lighting the camera can trust.

I work with clients and crew from concept through storyboard, composition, and post, translating notes into scene and editorial updates. Hands-on with Disguise (d3) and Unreal RenderStream so color, exposure, and playback hold on volume.